I recently played a gig at The Rave in Milwaukee. I have been going to this venue to see bands since my early teens and have had the opportunity to play there a few times. Each time I step on one of the stages in that building I get a thrill because even if the magnitude is insignificant, I still feel a closer bond to the bands I saw and loved. I like to think that the energy expelled at every concert gets absorbed into the wood and bricks that form those walls and I am honored to have my energy mingling there with everyone else.
For this show I decided to tell of my journey from teenager to performer and from watching a performance in this building to giving one.
Here is that show
I hope you enjoyed watching it. I enjoyed performing.
Showing posts with label The Rave. Show all posts
Showing posts with label The Rave. Show all posts
Thursday, February 24, 2011
Tuesday, July 21, 2009
At the show
I recently played a gig at The Rave. I’ve played there two times previously, once with Bluefire as pre-show entertainment for Collective Soul and once with Tankapillars in a Battle of the Bands (which we took 2nd place). This time I played a solo show, just me and my guitar. The set list was as follows;
1. Broken Glass Slippers – Chris Koterba/Spendthrift Sai
2. Long Black Veil – Lefty Frizzel
3. In The Air Tonight – Phil Collins
4. Tattoo of a Killer – Chris Koterba/Spendthrift Sai
5. Old – Chris Koterba/Bluefire
6. Living Life – Daniel Johnston
The show went well aside from some difficulties with the sound. I was having a good time. And I got some good response from the audience.
When I perform, I can only concentrate on the song a certain amount or I will screw up the song. My mind is of the sort that often during the song I will daydream or plan the next bit of improve between tunes or something in the room will catch my attention. As it happened I was distracted by the sound from the P.A. and monitors during most of the set but it occurred to me that I actually performed the song “Old” with Bluefire when we played there. “Old” is a heavy song in its original form. There are lots of pounding drums and overdriven guitars and anger emanating from this song about a man who finds his wife cheating on him and flies into a murderous rampage. It is one of the better tunes I have written and, performed in its original form, can be quite a memorable song.
I look back at the Bluefire gig at The Rave and smile. It seemed every song we played lasted for about 167 years and yet the performance was over in about 3.5 seconds flat. It was such an intense gig because everyone in the band had always come to The Rave to see bands we loved and now here we were, playing in the same building that many of our hero’s had played. I briefly attempted to share this with the audience but quickly realized that it would take considerable more time than I had left on stage and that, moreover, most of the people there wouldn’t care.
I finished the gig and was happy I got through it with out too much hassle. I like playing shows. I like getting a set together. I like playing the gig and seeing people react to something I’m doing and I like it when it ends. I walk off stage or set my guitar down one last time and I have a new set of memories and some potential new stories to share. It is something I look forward to doing as long as I can.
Photo by Mel Vyvyan
Monday, May 18, 2009
My First Time
The first rock concert I ever went to was a Megadeth concert. It was for the “Rust in Peace” album released in 1990. I was 15 years old. I had been introduced to Megadeth by my good friend Jesse who was the first person I was ever in a band with. We got our tickets and got dropped off at The Central Park Ballroom, now The Eagles Ballroom, in Milwaukee and we went inside. We were directed follow some other people up stairs in a somewhat harsh tone by a guy who looked almost exactly like the type of person my parents swore would kill me the second they could. With relief we headed away from that guy toward a staircase which would lead us to this life altering event. At the top of the stairs we rounded a corner and came into a room like I had never seen before.
A Gigantic oval room with a blue sky painted on the ceiling. There were pillars like you’d expect in an Opera house, a balcony with fancy moldings and railings and in front of me a virtual sea of people, all of whom looked like the guy that growled at us to go up stairs. Everywhere I looked I saw black clothes, leather, ripped jeans tee shirts, chains, long hair, tattoos, girls wearing (sort of) scraps of fabric in what seemed like an futile attempt at decency. I heard words and phrases, I smelled alcohol and tobacco and some other scent that was kind of like a burning pine tree. Infused with all this sensory input and constant noise of stage setting and sound checking, was the sound of a living body of people all talking, laughing, swearing, coughing, and commingling at once. All of this blended together to fill the air with a buzz I felt deep in my core. It was then that I discovered the grin on my face and I looked at Jesse and he nodded his head toward the crowd and we walked in allowing ourselves to be swallowed whole in an ocean of human.
Human contact is an interesting thing. Polite society demands we give each other space, try not to touch people without permission and apologize for accidental breeches in this conduct. I realized within seconds that if I hoped to get anywhere in this event, the manners that were programmed into me needed serious reconsideration. Luckily I had been gifted with a sense of observation and some common sense and I soon developed what appeared to be a tolerable presence in this new society in which I found myself. We made our way to a spot on the floor where we sort of just stopped and stood while we waited for something to happen.
Something happened.
The lights went down and everyone as a whole, started to yell and whistle and turn toward the stage. Green lights illuminated the stage and the opening band started to play. The band name is Testament and it is not a catholic High School Garage Band. I feel a rumbling in my chest and the world is crashing in on my brain. I have utterly no idea what to do with the sound my ears are trying to process. It doesn’t hurt really but it is unintelligible. The people around me, however, do know what to do. They jump up and down, they shake their heads and fists, they appear to fighting with one another, and some seem to be skipping in a circle at a lunatic pace. I stood and looked around me at the reaction to the music and knew at that moment. I was among friends. I was with people who felt the way I did when I heard this music. I was with people who didn’t care if I was overweight or didn’t wear the cloths the kids at school thought were cool, or acted in a certain way. I was just another guy who liked heavy metal.
After a while I realized I actually new what I was hearing. It was a song off the only album I’d heard from them. My ears had apparently given up and gotten used to the sound. A big guy come barreling out of the crowd and said “what are you waiting for man, MOSH! .He proceeded to grab about 3 of us standing there and pull us into this human mixing bowl I had been watching out of the corner of my eye while taking everything in. I was thrust into a gyratory group of people and pushing each other. I was push sideways and then shoved in the back into someone who pushed me backward onto someone who grabbed my arm and spun me around into a wall of people surrounding this little psychotic square dance who in turn shoved me back in. I saw a guy coming toward me and this time I grabbed his arm a pulled him around sending him spiraling off into the crowd and turned in time to catch a guy wheeling back at me. I pushed him at a guy to my left. After what seemed like half an hour of hand to hand combat the circle just sort of dissolved and I was left standing there wild eyed with fists clenched and at shoulder height. Jesse appeared to my left and said something like “Didn’t take you long to get in a pit did it?” I had evidently been initiated with my first Mosh Pit.
Testament played a couple of more tunes and finished their set. The lights came up and people headed for the bar. I stood there, soaked through with sweat and what I hope was beer that had been thrown on the audience from the balcony. My ears were ringing and my head pounded but I felt amazing. I felt powerful to the point of jittery at what I had just experienced. Jesse and I talked about the band that just played and moshing and what some of the girls were wearing, again, sort of.
And the lights went down a second time. This time the audience roared with the ferocity of a rabid grizzly bear. An air raid siren began to wail and the sound of a mans voice over a bull horn demanded; “Go in side!”,” The neighborhood curfew is in effect!”, “Any person discovered in unauthorized areas will be shot!”, “Complete compliance is mandatory”, “Any person violating the stated conduct code will be shot!”. The whistle of a bomb falling grows louder and Megadeth explodes on stage. A similar effect occurred with the crowd. Almost at the same moment the audience erupts into one giant supernova moshpit. Lights were flashing like a lightning storm had formed in the blue sky painted on the ceiling of the Ballroom; the band was blasting away at around 220 BPM on a stage set with ominous looking government crates, a drum set whose double bass drum heads were nuclear warning signs and a giant backdrop of Vic Rattlehead, the bands tormented skeletal mascot festooned with caps welded over his ears, a steel mask riveted over his eyes and his jaws clamped shut. People were not only moshing but actually riding on top of the crowd like they’re white water rafting without a boat. It was chaos incarnate.
The band finished the third song and the bands leader, Dave Mustaine, talked to the audience for a couple of minutes, thanked us for being there, complimented us on the intensity of our introductory moshpit display, and challenged us to be rowdier than the last time Megadeth had been there. The crowd bellowed acceptance of this challenge with the gusto of Vikings preparing to set sail. Forty five minutes later Megadeth left the stage. The crowd chants Megadeth!, Megadeth!, Megadeth!, until Dave walks out to thunderous cheers and asks the crowd, “Can you put a price on peace?” The band encores with the title track from their second studio album; Peace Sells…But Who’s Buying. They finish up, take a bow and go off stage. The lights went up and the show was over. The grin I had felt on my face earlier took at least two full days to fade from my face, but the effect that concert had on my life has never left me.
A Gigantic oval room with a blue sky painted on the ceiling. There were pillars like you’d expect in an Opera house, a balcony with fancy moldings and railings and in front of me a virtual sea of people, all of whom looked like the guy that growled at us to go up stairs. Everywhere I looked I saw black clothes, leather, ripped jeans tee shirts, chains, long hair, tattoos, girls wearing (sort of) scraps of fabric in what seemed like an futile attempt at decency. I heard words and phrases, I smelled alcohol and tobacco and some other scent that was kind of like a burning pine tree. Infused with all this sensory input and constant noise of stage setting and sound checking, was the sound of a living body of people all talking, laughing, swearing, coughing, and commingling at once. All of this blended together to fill the air with a buzz I felt deep in my core. It was then that I discovered the grin on my face and I looked at Jesse and he nodded his head toward the crowd and we walked in allowing ourselves to be swallowed whole in an ocean of human.
Human contact is an interesting thing. Polite society demands we give each other space, try not to touch people without permission and apologize for accidental breeches in this conduct. I realized within seconds that if I hoped to get anywhere in this event, the manners that were programmed into me needed serious reconsideration. Luckily I had been gifted with a sense of observation and some common sense and I soon developed what appeared to be a tolerable presence in this new society in which I found myself. We made our way to a spot on the floor where we sort of just stopped and stood while we waited for something to happen.
Something happened.
The lights went down and everyone as a whole, started to yell and whistle and turn toward the stage. Green lights illuminated the stage and the opening band started to play. The band name is Testament and it is not a catholic High School Garage Band. I feel a rumbling in my chest and the world is crashing in on my brain. I have utterly no idea what to do with the sound my ears are trying to process. It doesn’t hurt really but it is unintelligible. The people around me, however, do know what to do. They jump up and down, they shake their heads and fists, they appear to fighting with one another, and some seem to be skipping in a circle at a lunatic pace. I stood and looked around me at the reaction to the music and knew at that moment. I was among friends. I was with people who felt the way I did when I heard this music. I was with people who didn’t care if I was overweight or didn’t wear the cloths the kids at school thought were cool, or acted in a certain way. I was just another guy who liked heavy metal.
After a while I realized I actually new what I was hearing. It was a song off the only album I’d heard from them. My ears had apparently given up and gotten used to the sound. A big guy come barreling out of the crowd and said “what are you waiting for man, MOSH! .He proceeded to grab about 3 of us standing there and pull us into this human mixing bowl I had been watching out of the corner of my eye while taking everything in. I was thrust into a gyratory group of people and pushing each other. I was push sideways and then shoved in the back into someone who pushed me backward onto someone who grabbed my arm and spun me around into a wall of people surrounding this little psychotic square dance who in turn shoved me back in. I saw a guy coming toward me and this time I grabbed his arm a pulled him around sending him spiraling off into the crowd and turned in time to catch a guy wheeling back at me. I pushed him at a guy to my left. After what seemed like half an hour of hand to hand combat the circle just sort of dissolved and I was left standing there wild eyed with fists clenched and at shoulder height. Jesse appeared to my left and said something like “Didn’t take you long to get in a pit did it?” I had evidently been initiated with my first Mosh Pit.
Testament played a couple of more tunes and finished their set. The lights came up and people headed for the bar. I stood there, soaked through with sweat and what I hope was beer that had been thrown on the audience from the balcony. My ears were ringing and my head pounded but I felt amazing. I felt powerful to the point of jittery at what I had just experienced. Jesse and I talked about the band that just played and moshing and what some of the girls were wearing, again, sort of.
And the lights went down a second time. This time the audience roared with the ferocity of a rabid grizzly bear. An air raid siren began to wail and the sound of a mans voice over a bull horn demanded; “Go in side!”,” The neighborhood curfew is in effect!”, “Any person discovered in unauthorized areas will be shot!”, “Complete compliance is mandatory”, “Any person violating the stated conduct code will be shot!”. The whistle of a bomb falling grows louder and Megadeth explodes on stage. A similar effect occurred with the crowd. Almost at the same moment the audience erupts into one giant supernova moshpit. Lights were flashing like a lightning storm had formed in the blue sky painted on the ceiling of the Ballroom; the band was blasting away at around 220 BPM on a stage set with ominous looking government crates, a drum set whose double bass drum heads were nuclear warning signs and a giant backdrop of Vic Rattlehead, the bands tormented skeletal mascot festooned with caps welded over his ears, a steel mask riveted over his eyes and his jaws clamped shut. People were not only moshing but actually riding on top of the crowd like they’re white water rafting without a boat. It was chaos incarnate.
The band finished the third song and the bands leader, Dave Mustaine, talked to the audience for a couple of minutes, thanked us for being there, complimented us on the intensity of our introductory moshpit display, and challenged us to be rowdier than the last time Megadeth had been there. The crowd bellowed acceptance of this challenge with the gusto of Vikings preparing to set sail. Forty five minutes later Megadeth left the stage. The crowd chants Megadeth!, Megadeth!, Megadeth!, until Dave walks out to thunderous cheers and asks the crowd, “Can you put a price on peace?” The band encores with the title track from their second studio album; Peace Sells…But Who’s Buying. They finish up, take a bow and go off stage. The lights went up and the show was over. The grin I had felt on my face earlier took at least two full days to fade from my face, but the effect that concert had on my life has never left me.
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